Sano di Pietro was one of the most prolific and successful Sienese painters, the head of a workshop that satisfied the demands of civic and religious institutions in the city as well as those of private devotion.
His production, technically always of a very fine quality, rich in decorative effects, and characterized by a brilliant palette, often contains motifs that appear monotonous and repetitive. Although in he was already listed in the guild of Sienese painters, his work is well documented in its various stages only from (Gesuati polyptych) until his year of death (Pietà, Monte dei Paschi collection in Siena, ), whereas the question of his early activity is still open for discussion. Esteemed in the nineteenth century literature as a sort of Fra Angelico of Sienese painting [1] and considered by some a typical representative of Sienese quattrocento mysticism,[2] Sano is much less a
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